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Georgia Fields

by Georgia Fields

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1.
Overture 01:21
2.
Seven Years 02:25
Seven years under your silver tongue Under your rule of thumb Eyes so tight I saw stars I saw signs, rosaries round my neck Pickled in tears, these weather worn years Kept the memory in a jar with some Salt for the wound, bride for the groom Wash out my mouth, wash out my mind Tracing the cracks in your metaphor Holding my ear to the bathroom door Chalking one more line upon your score For seven years, seven years
3.
Rest your head on my chest Close your eyes We are not world weary Tonight Pillow talk, bedroom eyes You are mine By the lime neon light Of the time Oh, my home fires burn so brightly With a flame that I light nightly All the king’s men and the king’s horses Riding for our hearts Draw the blinds, dim the lights Lets recline Lay between sheets like filo pastry You’re good enough to eat Oh, my home fires burn so brightly With a flame that I light nightly All the king’s men and the king’s horses Riding for our hearts Wanna put your kiss in a Tupperware container Take it home with me so that I can taste it later Oh, my home fires burn so brightly With a flame that I light nightly All the king’s men and the king’s horses Riding for our hearts
4.
Stare me out Your watertight expert advice comes Riding in on white horses Swimming in Social debris, muscular feats of denial White knuckles, I just clench my fists This Is Not A Drill Wear me down Blood in my mouth, tears in the sink All of the above And hey, don’t get your knickers in a knot Hey, don’t get all bent out of shape I can always hide my love away This Is Not A Drill All these circles that We’re running in tonight Going nowhere fast You try so hard Clutching your moral compass tight, you pray No God, not this forked tongue of fate This Is Not A Drill
5.
I’ve been lying awake while you’re falling asleep Staring at the spots on the ceiling And wondering if I let Desire off her leash Would she bite at you and leave you bleeding? And oh, I’m running a race under water And oh, my parachute’s made of bricks and mortar The days go by like sailors, we watch them float away On sunset seas of pink and blue and grey And in their tiny ships they carry your secrets, my lies Barrels of tears to baptise And oh, we’re falling apart like pavlova And oh, the battle’s not even near over The sleeping dog’s starting to wake up The pieces of us now unstuck We keep up our faces, we wind up our smiles Mechanical romance alive At night I fight for the doona, you scratch with your toes Blood roses the gifts you bestow And oh, I’ve backed my self into a corner And oh, the battle’s not even near over These transgressions are stones in my pockets It burns like a lit cigarette
6.
Two For Tea 03:08
It’s hard for me to get the words out right I wish the cat that caught my tongue would bring it back ‘Cause darling I’ve been thinking about our happy ending Been thinking about picket fences Where it could be you and me Two for tea And then maybe You and me could make it three I would be the happy house wife I’d even help you wake up in the morning for work And when you come home, if you’re tired You can play GTA, I won’t mind When it’s you and me Two for Tea And then maybe You and me could make it three With a baby And I’ll get fat And you’ll go grey But that’s alright ‘Cause it’s gonna be just You and me Two for tea Then maybe three
7.
got one hand on bali and I’m calling your name Wanna let it go to my head like cheap champagne Noxious infactuation, touch wood You’ve caught my thread and I am unravelling Something borrowed, something blue I am in love with you Your bed is our playground, the pleasure the sin I’m pinching myself, can’t believe how lucky I’ve been I’m a casualty of cupid, I’m a long lost cause Misery likes company and I don’t feel like hanging around Something borrowed, something blue I am in love with you Everything old is once again new I am in love with you You don’t know the half of it Something borrowed, something blue I am in love with you Everything old is once again new I am in love with you
8.
You shake hands with the heartache Take it into your bed Making friends with the sorrow You keep it well fed I wish that you had perforated edges So I could tear you out of this And paste you into happiness But now it’s a blue sky with a black cloud parade When the curtains fall, the memory decays It’s the last bar of your lover’s serenade, a trade For a blue sky with a black cloud parade I see you wearing that brave face Got it strapped on tight Feel exposed like a roll of film In the light I wish that you had perforated edges So I could tear you out of this Counting out the wedding bells Filling up with white blood cells You wait For a blue sky with a black cloud parade When the curtains fall, the memory decays It’s the last bar of your lover’s serenade, a trade For a blue sky with a black cloud parade
9.
White Flag 02:00
Maybe I’m just too big for my boots Maybe I got my hopes up too far Maybe it’s not my turn this time Maybe it won’t ever be mine So I’m waving a white flag Yeah I’m throwing the towel in Taking the party decorations down And my heart from my wounded sleeve Waving a white flag
10.
Chessboard 02:43
It’s difficult to say Who started it We speak in unfamiliar tongues These days There’s a line in the sand Who’s drawn it? Divide up the spoils A chessboard; a friendship And no one’s saying anything
11.
One Finger 03:33
You throw your weight around like napoleon with party streamers You're too tall to have small man syndrome Yet you sink to dishing out the low blows Like a kid with an itchy scab you can't leave it alone now You had to jump the gun at midnight I'd love to say I hate you but I'm bigger than that Can I be frank? Will you grow up? This isn't high school anymore Your house of cards So meticulously stacked Are tumbling to the floor You want the upper hand But you'll just get one finger You've been carrying a chip on your shoulder the size of a saucepan You shouldn't bite the hand that feeds ya You oughta know by now we don't need ya Like the king of an empty castle you're sleeping alone now You had to make your point at midnight You might have won the battle, but I won the war Can I be frank? Will you grow up? This isn't high school anymore Your house of cards So meticulously stacked Are tumbling to the floor You want the upper hand But you'll just get one finger I tried so hard to be patient (You are wringing me out) I bite my tongue (Your warning bells were so loud) Count to ten (Your fingers in all the pies) Gave you your second chance (It's all come out in the wash) Over again Can I be frank? Will you grow up? This isn't high school anymore Your house of cards So meticulously stacked Are tumbling to the floor You want the upper hand But you'll just get one finger
12.
You can’t see the forest for the trees Her name is on your tongue like a disease A disease Glued together like a broken vase Veiled behind a clandestine mask The sorrow that you’re feeling for her pendulum swinging Sever these ties like Christmas ribbon I know you’re not sleeping and I Know that you’re seeking a silver lining But it’s not up her skirt Cause she’ll drink you in and then spit you out And you’ll come crawling back to the taste of her mouth This purgatory isn’t mandatory Sever these ties like Christmas ribbon
13.
Satellite 05:09
All these little words These syllables that fall between us They will end In disaster scenes In sweat-soaked sheets In earthquakes Shudderings of you Of me A duality Of blues Of greens And somewhere we meet You say you never saw the sun shine so bright And I’m spinning like your satellite You move me like the moon moves the tide And we’re spinning at the same time And we’ll change, we’ll change Right now you never saw the sun shine so bright These umbrella teeth Red cloaked analogies that come between us They do end In horror scenes In unwashed grief In thirsting Hungering for you And you for me For a sense of gravity For release For believe That somewhere we meet You say you never saw the sun shine so bright And I’m spinning like your satellite You move me like the moon moves the tide And we’re spinning at the same time And we’ll change, we’ll change Right now you never saw the sun shine so bright
14.
Cold War 03:56
I stare at the Bible black bitumen I keep finding pieces of you in my handbag The memories, like treasure maps, take me back To headlines on bedroom walls And we sure knew how to put the fun in dysfunctionality Now you spread yourself so thin I can see right through Your heart is hard like day old pita Oh please, darling, don’t get bitter The hatchet is buried, the jury’s still out And the distance between us is smiling Hold my breath and count to ten Your finger is pointing in your self-righteous silence I’ve been waiting in the wings for far too long Been playing second fiddle, the piggy in the middle Cross my heart and hope to die I’m not the consolation prize Your heart is hard like day old pita Oh please, darling, don’t get bitter The hatchet is buried, the jury’s still out And the distance between us is smiling What you say, it doesn’t make It doesn’t make a damn lick of difference I’m a glittery circus girl walking the wire And I’m throwing a party on our funeral pire These little boulders you hold on your shoulders Are dragging you down and they’re taking me with you I don’t want in this Cold War

about

Praise for ‘Georgia Fields’:

“Our newest musical crush… Fields specialises in cute, vintage-y folk-pop that makes you want to sway in time and sing along when you know the words.”
Frankie Magazine, Australia

“Australia has produced yet another great female singer/songwriter in Georgia Fields... Fields is one to watch.”
Jmag, Australia

“Fields explores the terrain of relationships with a fresh view - this would be a considerable achievement for someone deep into their career, but as a debut it is astonishing. 10/10”
Americana Magazine, UK

“There is something fresh in the hand-stitched romanticism of Ms Fields. It comes from somewhere in the past certainly... There is a charm to this, an honesty without pose.”
Drum Media, Sydney

credits

released October 1, 2010

All songs written by Georgia Fields, except ‘Satellite’, written by Judith Hamann.

Produced by Greg Arnold.

All songs engineered by David McCluney at Atlantis Sound, Port Melbourne. Except for tracks 7 and 11, engineered by Myles Mumford at NMIT Yarra Edge Theatre. Track 5 engineered by Greg Arnold at NMIT Studio 209, with clarinet engineered by Myles Mumford at NMIT Yarra Edge Theatre, and vibraphone engineered by David McCluney at Atlantis Sound. Assistant engineer Rhys Corr. Celeste on track 8 engineered by Dave Rogers at City Vue Studio.
Album mixed by David McCluney at Atlantis Sound, Port Melbourne.

Mastered by Jim DeMain at Yes Master, Nashville TN, USA.

Cover image by Nicole Cleary.

Album artwork and booklet images by Luci Everett.

Georgia Fields – vocals. Piano on tracks 2, 5, 7, 9, 14. Guitar on tracks 4, 5, 8, 11, 12, 13. Ukulele on tracks 3, 6, 10. Celeste on track 8. Melodica on track 7 and 13. Tambourine on tracks 3, 11, 13. String arrangements for tracks 5, 7, 14. Brass arrangements for tracks 1, 2, 5, 7, 8, 13, 14. Clarinet arrangement for tracks 5. Flute, Clarinet and Bassoon arrangements for tracks 6, 9, 10.

Judith Hamann – vocals on tracks 2, 4, 5, 7, 11, 12, 13, 14. Cello on tracks 1, 2, 3, 4, 5, 7, 11, 12, 13, 14. Cordless drill, cowbell, vibraslap and marimba on track 5. Piano on tracks 4, 8, 11, 13. Harp on track 6. Melodica on track 14. Glockenspiel on tracks 4, 7, 12, 13. Children’s toy on track 7. String arrangements for tracks 1, 2, 3, 7, 8, 11, 13, 14. Brass arrangement for tracks 3 and 8. Clarinet arrangement for tracks 5 and 11.

Zachary Charles – bass on tracks 2, 3, 4, 8, 11, 13. Percussion on track 3.

John Kingma – bass on track 7.

Tim Coghill – drums on tracks 2, 3, 4, 7, 8, 11, 13, 14. Percussion on track 3.

Nat Grant – vibraphone on tracks 2, 3, 4, 5, 8, 9, 13, 14. Bass drum on tracks 4, 13, 14.

Elizabeth Mitchell – vocals, piano, and Hammond organ on track 3. Autoharp on track 8. Trumpet on tracks 1, 2, 3, 8, 14.

Greg Arnold – guitar on tracks 4, 13. Ukulele on Track 11. Piano on track 5. Piano and Hammond organ on track 12.

Elizabeth Welsh – violin on tracks 1, 2, 3, 7, 8, 11, 13, 14.
Zac Johnston – violin on tracks 1, 2, 3, 8, 14.
Ceci Dowling – viola on tracks 1, 2, 3, 7, 8, 11, 14.
Kim Tan – alto flute on tracks 6, 9, 10.
Samuel Dunscombe – clarinet on tracks 5, 6, 9, 10, 11.
Adam Mikulicz – bassoon on tracks 6, 9, 10.
Bruno Siketa – trumpet on tracks 1, 3, 8, 14.
Huw Dann – trumpet on tracks 7 and 13.
Jasen Moulton – French horn on tracks 1, 14.
Keiren Conrau– trombone on tracks 1, 2, 3, 14.
Bob Collins – trombone on tracks 5, 8, 13.
Myles Mumford – trombone on track 7.
Jonathan Woods – tuba on tracks 1, 14.

Female Choir on Track 12 – Luci Everett, Angie Hart, Yelka Ishmakovich, Michaela Manusama, Elizabeth Mitchell, Kate Putt, Auður Alessandra Zoëga , Sarah Whitteron.

Male Choir on Track 13 – John Bedggood, Scott Edgar, Chris Hazelman, Mick Hazelman, Stu Hazelman, Zachary Johnston, Martin Mackerras, Eddie Miller, Dave Rogers.

Thank you: Janie & Johnny Miller-Smith, Scott Thurling at Popboomerang Records, Dave ‘Fuck Yeah’ McCluney, Arts Victoria, the NMIT Higher Education Music Department, Emma Wiking at Remedy Music, Robert MacBride, Angie Hart, Matty Vehl, Rhys Corr, Zachary Charles, Tim Coghill, Huw Dann, Ceci Dowling, Sam Dunscombe, Nat Grant, Zachary Johnston, Elizabeth Mitchell, Elizabeth Welsh, and Luci Everett.

A special thank you to Greg Arnold for his tireless effort in all production matters, big and small.

And lastly, a very special thank you to Judith Hamann – my dear friend, inspiration in all things culinary and musical, and without whom this record could not have come to pass.

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Georgia Fields Melbourne, Australia

Singer, songwriter, mischief maker.

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